Ever on the lookout for productions of drama from the extra long eighteenth century, I am passing along the announcement of this production of Le Cid (1636) by Pierre Corneille (translated by Richard Wilbur) at the Storm Theatre in New York. This is the same theater and the same director responsible for an outstanding production of The London Merchant, discussed here and here on this blog. The Red Bull Theatre’s production of Volpone might also be of interest. I have not yet seen this, but admired this company’s deliciously bloody Revenger’s Tragedy a few years ago and hope to see Volpone as well. Finally, today’s New York Times reviewed a production of Amy Freed’s play, Restoration Comedy, based in part on Colley Cibber’s Love’s Last Shift. The review did not make the production sound particularly tempting, but I would be happy to hear from anyone with a different perspective.